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“The tapes sound beautiful. Thank you for the great job and the pleasant,
courteous service.
It was a pleasure working with you.”
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Restoration

Hidden away in attics, basements, closets and garages
are old recordings of voices and music that have
special meaning to someone. Restoration is the term we use for converting
these unique sounds to compact disc.
Restoring
a vintage recording is a far more sophisticated process than it may seem.
Although eager amateurs may be more than willing to attempt such
conversions, there is considerable risk involved in entrusting
irreplaceable original recordings to someone who might either damage or
destroy them altogether.
Aware clients understand the wisdom of having their priceless original
acetates, vinyl discs and audiotapes professionally transferred to CD.
The process begins by creating a digital sound file.
Digitizing is necessary because no one has invented a
machine that allows dropping an original recording in at one end and
having a CD pop out the other – like a Xerox copy machine. Also, transferring
recordings directly to CD isn’t practical either because of the
difficulties that may arise in attempting to play an original tape or
disc. |
For example:
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In playing a disc recording, the stylus
(needle) can skip a record groove – or become stuck in one.
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A 78 rpm disc requires a specific type of stylus for optimum sound
transfer. |
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Old open-reel tapes may contain splices that fail on playback.
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Even when properly handled, an old,
brittle tape may break and require repair. |
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There are a variety of playback speeds and head configurations to be
considered. |
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Vintage audiocassettes may have become tangled or broken; pressure pads
may be
missing. |
Nearly all of these matters can be addressed using specialized methods
developed in this studio since 1967. Once an original is playing
properly, the digital sound file can be created with the highly skilled
use of a digital workstation. Digitizing is truly necessary. These are the
reasons why.
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Program Recording Level
There is a rather strict limit to the absolute recording level
acceptable by a compact disc. Beyond that limit, distortion becomes
both immediate and severe. Careful use of the digital workstation
allows determining the overall level of original recordings as well as
the exact locations of occasional peaks. Once digitized, the level can
then be set precisely for distortion-free transfer to CD. |
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Program Length
Professional CDs may contain a maximum of 80 minutes of audio. Longer
programs may require additional discs. Use of the digital workstation
in dubbing to CD allows determining the exact running time of the
program, as well as where a longer program might be appropriately
divided for transfer to two or more discs. |
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Program Condition
The greatest benefit of the digital process is the capacity to repair,
restore or enhance poor-sounding recordings. Background sounds can be
reduced, voices brought further forward, unwanted music or dialogue
deleted, missing sections restored, annoying noises corrected, speed
and pitch adjusted and monaural recordings enhanced for a pleasant
stereo effect. All of these benefits are available to you only through
the skilled, creative use of digital audio. |
Delivery
When bringing an original recording here for restoration, here are some
hints:
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Whatever it may be, don’t attempt to play it first. Without meaning to,
you may cause harm. |
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Carry open reel and cassette tapes in a clean paper or plastic bag. |
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Disc recordings may be delivered in their original sleeves or jackets.
Or, line a clean, unused corrugated cardboard pizza box with ordinary
writing paper. Separate multiple discs with additional paper, then carry
flat. |
Rates
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Cleaning a 12" disc recording |
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Free |
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Create a digital sound file from your original material |
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$35.00 |
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Trim heads & tails to eliminate sounds of needle drop and
liftoff |
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$2.00 |
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Calibrate noise reduction software to reduce surface noise |
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$10.00 |
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Optimize recording levels, from |
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$5.00 |
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Divide material into separate tracks for easy access,
approximately |
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$16.00 |
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Create AIFF files for transfer to CD, approximately |
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$20.00 |
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Compact disc in standard jewel-box from
(Please ask about quantity discounts.) |
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$3.90 |
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Approximate Total |
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$91.90 |
Extras
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Correct disc mistracking, labor charge per minute
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$1.00 |
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Splice open-reel tape, per splice |
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$1.00 |
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Audiocassette repair |
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$15.00 |
May include splicing, replacing internal parts or new shell.
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Create individual track Ids, each, from |
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$2.00 |
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Letter-quality black & white CD label, from
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$1.00 |
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Design of full-color custom CD cover, from |
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$25.00 |
Additional
covers
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$2.40 |
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Design letter-quality tray liner with song titles or other
information, from |
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$10.00 |
Additional tray liners
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$1.60 |
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Summary
Skilled, creative use of digital audio to determine and then control the
volume, length and condition of your original recordings provides you with
maximum sound quality in transfer to compact disc. The secret, of course,
is not the system but the operator. |

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